At first, Anna Karenina may seem to be a story about love, but the novel explores deeper issues, such as human relationships, religious beliefs, and moral responsibilities. Anna Karenina published in is one of the masterpiece from Tolstoy after War and Peace, this genre is romance with so much religius aspect. Tolstoy does not simply tell and preach readers what is right or wrong. Instead, he leaves us with questions that are not so easy to resolve.
Set in nineteenth-century Imperial Russia, Anna Karenina takes place mainly in Moscow, St. Petersburg, and the countryside. The novel opens with a marital crisis: Stiva Oblonsky’s affair has been discovered by his wife, Dolly. We then meet Anna Karenina, Stiva’s sister, who travels to Moscow to help reconcile the couple.
The story also introduces Konstantin Levin, who comes from the countryside and hopes to marry Kitty Shcherbatskaya, Dolly’s younger sister. However, he has a rival, Count Vronsky, a young officer who is also interested in Kitty, and she hopes to marry him. At a ball, Anna (still married with Karenin) meets Vronsky, and they begin to fall in love with each other. And the adultery is begin.
‘Yes, there’s something alien, demonic and enchanting in her,’ Kitty said to herself.
Tolstoy presents us with three different examples of marriage in Anna Karenina:
Through Anna and Alexei Karenin, Tolstoy shows a marriage that lacks emotional closeness. Anna married Karenin without truly understanding what love was, while Karenin was twenty years older than her. This reminds me of Dorothea and Casaubon in Middlemarch, where marriage also appears respectable from the outside but lacks genuine emotional connection. Their relationship raises an important question: Can a marriage truly be happy when emotional needs are not fulfilled and love is missing?

The marriage in context is in 1800s, it's quite complicated, when women who are always disadvantaged women only waiting to be purpose, can't she purpose men. just like Dolly said:
‘Yes, I understand everything now,’ Darya Alexandrovna went on. ‘You can’t understand it. For you men, who are free and can choose, it’s always clear whom you love. But a young girl in a state of expectation, with that feminine, maidenly modesty, a girl who sees you men from afar, who takes everything on trust – a girl may and does sometimes feel that she doesn’t know who she loves or what to say.’
‘Never mind, you propose when your love has ripened or when the scale tips towards one of your two choices. But a girl isn’t asked. She’s expected to choose for herself, but she can’t choose and only answers yes or no.’
For me, the most heartbreaking scene in the novel is when Anna meets her son, Seryozha. Their relationship makes the question of personal freedom much more difficult. Anna is not simply a woman who wants to follow her feelings; she is also a mother who loves her child. Her situation makes me wonder how society's judgment and the restrictions placed on women can turn a personal decision into a painful choice between romantic love and motherhood.
Anna is not free from responsibility for her choices, but the way society treats her reveals its double standards, especially toward women. I wonder whether people who judge her are genuinely concerned about morality or whether they simply enjoy the comfort of believing themselves better than someone who has failed. Perhaps the real question is not whether Anna deserves criticism, but whether society has the right to strip someone of their dignity because of their mistakes.
The last, reading Anna Karenina is quite chalenging, for what I thought it is romance novel, but it's wrong. This eight hundreed novel, has made me reflecting of life, Perhaps the most important lesson I have taken from Anna Karenina is that we can disagree with someone's choices without denying their humanity. After all, being morally right does not give us the right to be cruel.
Ruang Buku Megga Rated : 5/5
Year : 2006, (First Published in 1878)
Format / Pages : Softcover / 838 pages
ISBN : 9780140449174

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